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Moog DFAM

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It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pul...

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Moog DFAM
Moog DFAM
It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob. Each DFAM ships with a
563,-
Polyend Mess
Polyend Mess
Mess features 120 high-quality, stereo effects, ranging from traditional to the experimental.Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines. ● Multi-Mode Reverb: 5 reverb modes with 25 submodes, from massive ambience torealistic room and plate simulations.● Granular Bust: A Dynamic multi-mode granular engine that transforms audio in realtime.● Particle Sampler: Unique granular sampling effect that captures audio from a selectedstep are replays it rhythmically.● Micro-Looping: Chopping and repeating with direct control. Loop tiny fragments ofsound or large subdivisions for synced micro-fragments to precise rhythmic chaos.ntuitive slicing, looping, and rhythmic manipulation from micro-fragments to preciselytimed repeats.● Deluge of Delays: Multi-tap, ping-pong and single delay engines with models from tape,analog, digital and more.● Modulation of
599,-
Moog Labyrinth
Moog Labyrinth
De Moog Labyrinth is een semi-modulair instrument en ideeënmachine. Ontdek patronen, lagen en texturen die zowel vertrouwd als nieuw zijn. Twee generatieve sequencers brengen geluiden tot leven die in de loop van de tijd evolueren, waarbij je hun ontwikkeling en schaal kunt controleren en ze tegen elkaar kunt uitspelen voor opvallende polymetrische melodieën. Met parallelle analoge signaalpaden voegt dit unieke instrument kleur toe aan de statische achtergrond van een drumpatroon of baslijn. De Labyrinth kan prima op zichzelf staan, maar ook diepte toevoegen aan je bestaande opstelling. Het is geschikt voor zowel live optredens als in de studio. Het kloppend hart van de Moog Labyrinth is een robuuste dubbele sequencer, die met kansoperaties twee unieke acht-staps paden creëert die om elkaar heen kronkelen en een unieke klankomgeving vormen. Met een uitgebreide patchbay kan de Labyrinth worden gesynchroniseerd via analoge
649,-
Elektron Analog Rytm MKII
Elektron Analog Rytm MKII
By combining analog drum synthesis with a digital sample engine and a sequencer, it offers vast beat sound design possibilities. Sampling with the Analog Rytm MKII is quick and effortless and perfect for adding a customized touch to any beat. General playability is stellar thanks to the large pads, the generous amount of dedicated buttons and the quick performance controls. High bandwidth Overbridge and two expression/CV inputs for external control further strengthen the Analog Rytm MKII case. The feel and look of the unit itself is stunning, thanks to the cast aluminium enclosure, the back-lit buttons, the hi-res encoders and the big OLED screen. All in all, the Analog Rytm MKII represents a major leap when it comes to beat making instruments.
1.709,-
Elektron Analog Four MKII
Elektron Analog Four MKII
The sequencer gives total access to all aspects of the active sounds and the four CV/Gate outputs mean external gear can be controlled as well. The analog circuitry of Analog Four MKII has been thoroughly reworked and provides deep, clear and defined bass plus a more prominent analog overdrive/distortion effect. Integrating the Analog Four MKII with external gear and computers is easy thanks to dedicated audio outputs for each voice, two expression/CV inputs, and high bandwidth Overbridge. The aluminium enclosure, the durable back-lit buttons, the big OLED screen, the hi-res encoders and the dedicated quick performance controls are other notable enhancements. They make the workflow quicker and more efficient. The total Analog Four MKII package is very complete, and offers an experience as close to sublime you can get. What's new in Analog Four MKII? - Reworked analog circuitry delivering very deep and defined bass - Enhanced analog overdrive for more bite and growl -
1.579,-
Moog Minitaur
Moog Minitaur
Moog Minitaur analog bass synthesizer De Moog Minitaur is een krachtige compacte analoge Bass synthesizer die het befaamde Moog bass geluid kan genereren. Laat je met een grootte van slechts 8,5'' x 5.25'' niet misleiden door zijn formaat. De Moog Minitaur analog bass synthesizer kan zulke dikke bass lines genereren dat hij zelfs met een setje oordoppen wordt geleverd. Eenvoudige bediening De Moog Minitaur heeft per functie 1 knop waardoor hij zeer gebruiksvriendelijk is. De Minitaur is het eerste instrument in de Taurus product categorie die niet over een voetpedaal bezit. Het enige wat je hoeft te doen is een MIDI controller op de Minitaur aan te sluiten en de Minitaur aan je computer te koppelen en je kunt meteen beginnen met spelen. De Minitaur is dus ook ideaal te gebruiken voor Live doeleinden.
660,-

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It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob. Each DFAM ships with a

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