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Dörfler DV6-16 vioolstrijkstok 1/16

Dörfler DV6-16 vioolstrijkstok 1/16

Beginner's model with massaranduba wood stick. This type of wood sits comfortably in the hand of the musician and is also suitable for very young beginners.Collection Brasil wood: Brazil wood basic collectionProductdetails: good brazil wood stickroundebony frog with bottom slide and eyethree-part buttonmetal blanc windingDörfler's Brazilwood bows a...

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    Beginner's model with massaranduba wood stick. This type of wood sits comfortably in the hand of the musician and is also suitable for very young beginners.Collection Brasil wood: Brazil wood basic collectionProductdetails: good brazil wood stickroundebony frog with bottom slide and eyethree-part buttonmetal blanc windingDörfler's Brazilwood bows are a matter of fact. Here an optimally finely adapted trio is put to use: Massaranduba for the stick, genuine ebony from tropical Africa for the frog and finest mother of pearl or iris for the eyes and slides. As Massaranduba is very heavy and hard, these bows lie particulary well in the hand of the musician. The dark black, very dense heart wood of the frog lends the play with these bows a pronounced harmonic tone.
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    Productomschrijving

    Beginner's model with massaranduba wood stick. This type of wood sits comfortably in the hand of the musician and is also suitable for very young beginners.

    Collection Brasil wood: Brazil wood basic collection

    Productdetails:
    good brazil wood stick
    round
    ebony frog with bottom slide and eye
    three-part button
    metal blanc winding


    Dörfler's Brazilwood bows are a matter of fact. Here an optimally finely adapted trio is put to use: Massaranduba for the stick, genuine ebony from tropical Africa for the frog and finest mother of pearl or iris for the eyes and slides.

    As Massaranduba is very heavy and hard, these bows lie particulary well in the hand of the musician. The dark black, very dense heart wood of the frog lends the play with these bows a pronounced harmonic tone.

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